do you need a bandaid for that weabooboo
queermuseum:

Queer African American Women and the History of Marriage 
This photo and headline accompanied an article from the October 15, 1970 issue of Jet magazine. They reveal that long before the recent struggle for marriage equality began,  African American women who love women have engaged with the institution of marriage and have fought to make it their own.
Edna Knowles, on the left, and Peaches Stevens were wed in Liz’s Mark III Lounge, a gay bar on the South Side of Chicago, “before a host of friends and well wishers.” The article ended by noting, “although the duo has a type of ‘marriage license’ in their possession, the state’s official marriage license bureau reported it had no record of their license.” This ending serves to remind Jet readers that Knowles and Stevens’ union was not legitimate in the eyes of the state, as does the use of quotes around the word “married” in the headline.
However, decades prior to this bold public display of queer affection, African American female couples in New York strategized alternative ways to obtain marriage licenses in the 1920s and 30s:
“Marriage ceremonies were held with large wedding parties which included several bridesmaids, attendants, and other wedding party members. Actual marriage licenses were obtained by either masculinizing the first name, or having a gay male surrogate obtain the license for the marrying couple. These marriage licenses were placed on file with the New York City Marriage Bureau.” - Luvenia Pinson, “The Black Lesbian: Times Past-Time Present,” Womanews, May 1980  p. 8.
Also during the 1930s, popular performer Gladys Bentley was making a living singing bawdy tunes and playing piano late into the night at various clubs all over New York, including one named after her.

Bentley married her white girlfriend in Atlantic City in a ceremony to which she invited friends in the entertainment industry:
“Columnist Louis Sobol remembered Bentley coming over to his table one night and whispering, ‘I’m getting married tomorrow and you’re invited.’ When Sobol asked who the lucky man was to be, she giggled and replied, ‘Man? Why boy you’re crazy. I’m marryin’ ——’ and she named another woman singer.” - Eric Garber, “Gladys Bentley: The Bulldagger Who Sang the Blues,” Out/Look, Vol. 1, No. 1, Spring 1988, pp. 52-61.
These examples show some of the various ways queer African American women have created public rituals to express their relationships and have therefore insisted on their rights to full citizenship, many decades prior to the current struggle for marriage equality. 


- Cookie
 

queermuseum:

Queer African American Women and the History of Marriage 

This photo and headline accompanied an article from the October 15, 1970 issue of Jet magazine. They reveal that long before the recent struggle for marriage equality began,  African American women who love women have engaged with the institution of marriage and have fought to make it their own.

Edna Knowles, on the left, and Peaches Stevens were wed in Liz’s Mark III Lounge, a gay bar on the South Side of Chicago, “before a host of friends and well wishers.” The article ended by noting, “although the duo has a type of ‘marriage license’ in their possession, the state’s official marriage license bureau reported it had no record of their license.” This ending serves to remind Jet readers that Knowles and Stevens’ union was not legitimate in the eyes of the state, as does the use of quotes around the word “married” in the headline.

However, decades prior to this bold public display of queer affection, African American female couples in New York strategized alternative ways to obtain marriage licenses in the 1920s and 30s:

“Marriage ceremonies were held with large wedding parties which included several bridesmaids, attendants, and other wedding party members. Actual marriage licenses were obtained by either masculinizing the first name, or having a gay male surrogate obtain the license for the marrying couple. These marriage licenses were placed on file with the New York City Marriage Bureau.” - Luvenia Pinson, “The Black Lesbian: Times Past-Time Present,” Womanews, May 1980  p. 8.

Also during the 1930s, popular performer Gladys Bentley was making a living singing bawdy tunes and playing piano late into the night at various clubs all over New York, including one named after her.

Gladys Bentley

Bentley married her white girlfriend in Atlantic City in a ceremony to which she invited friends in the entertainment industry:

“Columnist Louis Sobol remembered Bentley coming over to his table one night and whispering, ‘I’m getting married tomorrow and you’re invited.’ When Sobol asked who the lucky man was to be, she giggled and replied, ‘Man? Why boy you’re crazy. I’m marryin’ ——’ and she named another woman singer.” - Eric Garber, “Gladys Bentley: The Bulldagger Who Sang the Blues,” Out/Look, Vol. 1, No. 1, Spring 1988, pp. 52-61.

These examples show some of the various ways queer African American women have created public rituals to express their relationships and have therefore insisted on their rights to full citizenship, many decades prior to the current struggle for marriage equality. 
- Cookie

 

The Angel Oak Tree is estimated to be in excess of 1500 years old, stands 66.5 ft (20 m) tall, measures 28 ft (8.5 m) in circumference, and produces shade that covers 17,200 square feet (1,600 m2). From tip to tip Its longest branch distance is 187 ft.

muertosiro:

Snoop Dogg is REALLY excited about playing a CGI snail named SMOOVE MOVE

muertosiro:

Snoop Dogg is REALLY excited about playing a CGI snail named SMOOVE MOVE

pootsy:

has science gone too far

knottahooker:

copperbadge:

MOTHERFUCKING TESSERACT. 
[Twinkie ad from Avengers #149, 1976.]

WHAT THE ACTUAL HELL NO REALLY.
MOTHERFUCKING TESSERACT.

knottahooker:

copperbadge:

MOTHERFUCKING TESSERACT. 

[Twinkie ad from Avengers #149, 1976.]

WHAT THE ACTUAL HELL NO REALLY.

MOTHERFUCKING TESSERACT.

zooophagous:

iraffiruse:

Frozach Submitted

I feel like this post changed my life

nillia:

aaaaaaaAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAUUNNACCEPTABLEEEEE
Available at Anime Boston (table 127), Anime Next, and Connecticon.

nillia:

aaaaaaaAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAUUNNACCEPTABLEEEEE

Available at Anime Boston (table 127), Anime Next, and Connecticon.

ttttxxx:

Rainy Day (and meat)

ttttxxx:

Rainy Day (and meat)

sclez:

foxtrotttalks:

The wild Swede hunts for prey that he will soon take back to his family at IKEA.

Sealand are you watching the Royal Wedding.

sclez:

foxtrotttalks:

The wild Swede hunts for prey that he will soon take back to his family at IKEA.

Sealand are you watching the Royal Wedding.

wwincest:

when dean called him “sammy” again

when crowley called him “sam” instead of “moose”

when dean cried “castiel” instead of just “cas” 

image

image

image

[T]here are female Conservative MPs who are happy to call themselves feminists. Why, they even wear T-shirts saying that they’re feminists, just so that we know. I saw a photo of Theresa May wearing one, right, and on the front, it said, ‘This is what a feminist looks like.’ And on the back of her one, it said, ‘Not really! I’m a Tory!’ And then underneath that, it said, ‘I axed the Health In Pregnancy Grant. I closed Sure Start Centres.’ That one had a smiley face next to it. ‘I cut child benefit and slashed tax credits. I shut down shelters for battered wives and children. I cut rape counselling and legal aid.’ Winking face. ‘I closed down all twenty-three specialist domestic violence courts. I cut benefits for disabled children. I tried to amend the Abortion Act so that women received one-to-one abortion counselling from the Pope before they go ahead with it. LOL.’ The back is much longer than the front, by the way. It’s a tailcoat, basically. The new Tory feminists are wearing tailcoats.
Bridget Christie, episode 2 of Radio 4’s Bridget Christie Minds The Gap (via thecoppercow)
galacticenkidulgaa: